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Running On Empty: A New Mystery

Running on Empty by Karin Fitz Sanford

An Excerpt + Book & Author Info + a Giveaway!

 

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Running on Empty

Running on Empty

An unsolved murder. A Ponzi scheme. And a heist that has ex-FBI agent Anne McCormack racing throughout the wine country.

It’s been sixteen years since beautiful socialite Dinah Pardini’s body was found dumped in the backroads of Northern California’s wine country. But is her murder linked to the diabolical Ponzi scheme that now engulfs Santa Rosa, nearly bankrupting many citizens Anne knows and loves?

The ex-FBI agent-turned-estate liquidator certainly believes so and starts putting the clues together: a client’s diary with a treasure map, a puzzling letter, a menacing white truck-all of which drives her into dangerous territory, both of the body and spirit. Anne will have to keep her wits about her if she plans on outracing thieves and solving Dinah’s murder without becoming a victim herself, for dark forces are working against her at every turn and she’s running out of people to trust.

Book Details:

Genre: Mystery/Adventure/Detective
Published by: Level Best Books
Publication Date: May 7, 2024
Number of Pages: 294
ISBN: 9781685126155 (ISBN10: 1685126154)
Series: A Wine Country Cold Case, 2

To purchase Running on Empty, click any of the following links:  Amazon | Barnes & Noble | BookShop.org | Goodreads | Level Best Books


Writer’s Block? Sleep it off

Guest post by Karin Fitz Sanford

 

In my former life, before writing mysteries, I worked as an advertising copywriter for over 25 years. During that time, whenever I’d hear the words “writer’s block,” I would scoff and think, “Who has time for that?” Not me. I was disciplined. I had deadlines to meet; clients to keep happy. Writer’s block was a luxury for amateurs, was my feeling. Plow on.

But I soon learned that writing mysteries is a whole different creative process. There’s no plowing on when a character doesn’t ring true and refuses to talk, or when a plot point simply doesn’t add up.

Of course, I could plow on, but when I did, the results were usually bland and predictable. The best thing to do, I’ve learned, is to relax and clear my mind of the problem. Get up and walk around the room. Put in another load of laundry. Talk to the cat. Let my subconscious do the work and solve the problem when I’m not hyper-focused on it. And often it does, coming through with a fresh idea or a line of dialogue.

Listening to writers, artists, and musicians, it seems there are very few of us who don’t trust the wisdom of our inner voice. One of my writing heroes, Sue Grafton, author of the Alphabet series, credited some of her best ideas to her subconscious mind, which she referred to as Shadow. “Shadow writes these books,” she said. “I’m only here to take dictation.” Her Shadow would pull her up short when her characters took a wrong turn or a suspect’s motivation didn’t work.

And if my waking Shadow self has nothing helpful to say? I let my subconscious mind in the sleep state take over. Many times I’ve woken up with a thought or question that alerts me to an important loophole that needs fixing. For example, “How can Diana be Pinn’s alibi when she’s five miles away?” Another time, I posed a question to myself right before sleep: “How can I gather all the suspects together?” In the morning, these words were in my head: “Don’t you remember the party scene? You’ve already written it.” Well, I hadn’t, of course, but I dove right in, and the scene went easily.

And if that doesn’t work? Hire a pro.

Halfway through my first book, THE LAST THING CLAIRE WANTED, I suddenly hit a roadblock in my writing. For two agonizing weeks, I was stopped cold and couldn’t write a word. I knew that something was foundationally wrong with the book, but I didn’t have the foggiest idea what it was—and no amount of walking around or programming my sleeping state worked. Throwing up my hands, I contacted a psychic medium with whom I’d had several readings throughout the years. I figured that if my own Shadow wasn’t coming through, maybe hers would.

I told her the problem, and without knowing anything about the book, she said, “It’s about character development. Even the worst villain is human. Where is the child part, the vulnerable part, in this character?” Even the insane Hannibal Lecter in SILENCE OF THE LAMBS, she said, isn’t entirely black and white. I knew she was right the instant she said it. Once I deepened the character, the book began flowing again.

But that was an exception, and I’ve since gone back to relying on myself—particularly in the sleep state. These days, I keep a notepad by my bed. Paul McCartney woke up one morning with the tune of “Yesterday” in his head. So, you never know.

 

Read an excerpt of Running on Empty:

Chapter One


Santa Rosa, California


Anne McCormack surveyed the living room, casting her eyes from one gilt-framed oil painting to another, taking in the antique red tasseled lampshades, red flocked wallpaper, red floral overstuffed sofa, and the oriental rug woven with every imaginable shade of red. All that exuberant red reminded her of a magazine layout she’d seen featuring the late Vogue editor Diana Vreeland’s famous New York apartment. Tastefully garish.

The house was one of many Victorian homes lining McDonald Avenue, Santa Rosa’s historic “Victorian row.” The tree-lined boulevard was the filming location of several Hollywood classics, including the 1943 Shadow of a Doubt by Alfred Hitchcock, Disney’s 1960 Pollyanna, and the nineties camp horror film Scream. The Victorian in which Anne was standing was owned by her newest clients, the family of the recently deceased, very wealthy Lily Danielson, who had left behind more treasures and personal effects than her heirs could handle.

Those belongings were why Anne, owner of McCormack Estate Services, was here after eight o’clock on a Sunday night with her teenage assistant, Chloe Grindel. Anne’s job was to dispose of everything in the house, one way or another: to assess, catalog, toss out, put up for auction, sell, save for the family, or donate to charities. The executor, the family’s lawyer, wanted it all handled ASAP before any more troublesome family fights could break out. Fine, Anne thought, the sooner the job was done, the sooner she’d deposit a commission check on the proceeds of any sales.

They were still at the sorting and boxing up stage.

Seven banker’s boxes were stacked precariously in the middle of the room, the top ones on the verge of toppling over onto Chloe, who was sitting cross-legged on the floor. Next to her on the rug was an old diary she’d found in the bookcase. Chloe was packing up books—except for the first editions, which would be offered to dealers—and sighing theatrically.

“How are you doing over there?” Anne asked.

“Slow, very slow. I’m not fast like you are,” Chloe said, standing up to stretch, raising her arms to the heavens. “But then, you’ve been doing this for decades…” 

“A slight exaggeration,” Anne said. In fact, she was fairly new to family estate services. She’d spent most of her twenties as an FBI agent in Sacramento’s Violent Crimes division. After six years, she left the Bureau voluntarily, under no cloud (You did not get fired, her Uncle Jack, a retired cop would insist). Under no cloud, that is, except the one she conjured up and obsessed over (But it did get ugly after they discovered I was using their high-security database software to track my ex-husband, she’d counter).

On the same day she was confronted by her supervisor, she dropped her resignation letter on his desk and walked out the door, vowing that her next career would be a complete 180 from law enforcement. She would follow her passions—researching art and its provenance—and someday be her own boss, health benefits or not. Turns out, those passions were the exact skills required for family estate sales services. And since it was a far cry from crime-fighting, she figured why not do it professionally? For two years she worked as an assistant to estate services guru Marty Holmes, who became her mentor in the business. His mantra: “Estate sales are not garage sales!” The estate sales business, he’d insist, is about helping families dispose of the treasures left behind after a loved one’s death, and then getting a big fat commission from the sales of said treasures. Period. 

After learning the trade, Anne struck out on her own three years ago. If she’d ever imagined that being a business owner meant naming her own hours and taking long vacations, she was quickly proven wrong. The reality was that when business was good—and it finally was—she ended up working relentlessly long hours. Like tonight. 

“After finishing that box, let’s call it a night,” she said. Chloe had school in the morning. 

“Not yet,” Chloe pleaded. The girl was always angling for longer hours, arguing, “You won’t find cheaper or better child labor than me.” And Anne almost always relented. She knew that nearly every dollar Chloe earned was being squirreled away into her college fund. Besides, she liked Chloe’s company. Chloe was the favorite grandchild of one of Anne’s first clients, Claire Murray, whose death two years before had hit the teenager hard. Anne had grown fond of Claire and missed her too, and while she and Chloe worked, they would often swap Claire stories.

But recently, all Chloe wanted to talk about—when not complaining about her mother’s strict hours or the unfair soccer coach—was the “Battalion Chief” competition at her high school. Not much had changed about the yearly contest since Anne had participated: The student who searched private homes and collected the most “fire hazard” violation tickets was the winner. Back then, the winning prize was simply being named “Honorary Battalion Chief.” But this year, the stakes were high—a $25,000 college scholarship to the winner in each class, donated by a group of wealthy vintners who wanted to encourage fire safety in the wildfire-ravaged Sonoma County. 

“I can put it toward any college I want. When I add that to what I’m making working for you, and what my parents can chip in, I might get to go to UC Berkeley, Harvard, or California College of the Arts, who knows!”  

One of their phones pinged. 

“Sky’s the limit,” Anne agreed, looking down at her phone. Nothing. She hadn’t heard from Scott, her boyfriend of three months, since their fight two days before. Nodding toward Chloe’s phone on the coffee table, she said, “Bet your mom wants you to come home.” 

Chloe sauntered over to pick up her phone. Leaning against a wall, she stared intently at the screen—reading the text message, answering it, and reading the response.

“Oh, no,” Chloe blurted out. She slowly slid down the wall, crumbling to the hardwood floor. “There goes everything,” she said in a low, ominous tone. “Everything I’ve ever worked for.” She set her phone down beside her and hugged her knees to her chest. 

Anne bit her lip to keep from smiling. How much work could Chloe have done in her short life? How much did she have to lose? Chloe was a month shy of being sixteen years old, not some frail senior citizen whose life savings were ruthlessly embezzled or whose house was destroyed in a fire without any insurance to cover rebuilding it. But as Anne watched tears well in Chloe’s eyes, she knew there was nothing even slightly amusing about whatever was going on. Chloe was heartbroken.

Anne crouched down in front of her. “What do you mean by ‘lost everything?’ What happened?” she asked in a gentle voice. 

Chloe uncovered her eyes, let out a sigh, and pointed to her phone. “That girl. Pam O’Brien. Tomorrow is the last day to hand in our tickets to see who wins the scholarship. She asked me how many I had….”

“And?” Anne prompted.

“I told her I had forty-five, which is way more than anyone else in the class. The nearest kid to me is Justin Frey, and he only has thirty-two. Then Pam texted back, ‘Too bad, cause I have fifty.’ That’s five more than me,” Chloe’s voice broke. “I never even knew she was close!” 

Fire hazard violations were hard to come by, as Anne well knew. She remembered having to screw up the courage to knock on the door of a neighbor or acquaintance, then taking a deep breath and asking permission to go poking through their house looking for fire hazards like loose wiring, stacks of newspapers, overloaded electrical outlets, aging space heaters. Most people were good-humored about it, accepted their copies of the tickets, and promised to do better. But others tried to talk her out of the tickets, thinking the violations would be reported to city officials and they’d be fined. That never happened, of course; the fallout would have ended the contest years ago.

“And she tells you this at 8:30 at night…”

“Too late…”

Anne stood up abruptly. “Where’s your book of tickets? In your backpack?”

“Yeah. For all the good it does me,” Chloe said, giving the bag a shove as if it were to blame for her crushed dreams, the late hour, Pam O’Brien’s taunts. Everything.

Anne reached out her hands to the sobbing girl and pulled her to her feet. She grabbed their jackets off the couch and tossed Chloe’s to her.

“Get in the car,” Anne said.


*** Excerpt from Running on Empty by Karin Fitz Sanford. Copyright 2024 by Karin Fitz Sanford. Reproduced with permission from Karin Fitz Sanford. All rights reserved.

 


Karin Fitz Sanford — Author of Running on Empty

Running on EmptyKarin Fitz Sanford, a former advertising copywriter, was born in New York but grew up in Northern California’s wine country, the setting for her Wine Country Cold Case series.

Having run her own award-winning ad agency for over twenty-five years, she is a member of Sisters in Crime and lives in Northern California with her husband.

Catch Up With Karin Fitz Sanford:
www.FitzSanford.com
Goodreads
BookBub – @karin140
Instagram – @karinfitz8
Facebook – @karin.f.sanford


 

Visit All the Stops on the Tour!

09/16 Guest post @ Catreader18
09/16 Showcase @ Mystery, Thrillers, and Suspense
09/18 Showcase @ Literary Gold
09/20 Review @ Novels Alive
09/23 Guest post @ Because I said so
09/23 Showcase @ Books, Ramblings, and Tea
09/24 Review @ Because I said so
09/27 Review @ Country Mamas With Kids
09/28 Review @ Book Reviews From an Avid Reader
09/29 Review @ Guatemala Paula Loves to Read
09/30 Showcase @ Silvers Reviews
10/03 Showcase @ Celticladys Reviews
10/04 Guest post @ The Mystery of Writing
10/08 Interview @ Cozy Up With Kathy
10/11 Review @ Cozy Up With Kathy


Elena Hartwell/Elena Taylor

Elena Hartwell

Author and developmental editor.

This Post Has 2 Comments

  1. Wendy Barrows

    Great guest post. I love this – “Where is the child part, the vulnerable part, in this character?”

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